QUOTE (Alessandro17 @ Sep 11 2008, 04:40 AM)

Maybe it is just me, but if I used OS X professionally I'd buy a Mac Pro. You don't save money on your work tools. Besides a Mac Pro isn't all that expensive for what it is.
A friend of mine,a professional photographer, uses a Powermac G5. I am telling him that it is getting old

Well since Apple doesn't sell a Professional Desktop, I will always Build my own Professional Desktops. The Mac Pro Sucks. I can't use any PCI x Hardware wtf? If people knew this before they bought it they wouldn't be as reluctant to get rid of all their Fibre, SCSI, Kona, Black Magic Hardware... There are reasons for updates, but anyone can get into the film Industry Professionally with a Hackintosh. And what about the Non-existant Bios? INEED TO CONTROL MY HARDWARE. Bottom Line. I can't control a Real mac, the RAM burns out from incorrect voltages, etc.. I hate them. I never have HARDWARE ISSUES, unless its a real Mac.
I personally have Edited 2 feature Films, worked on a TV series you all know and Love on NBC. And a Red One Show, Dailies everyday, Production didnt mind. The rental was cheaper than a Real MAc! $40/day. 180/week = 10 weeks - Paid off Hackintosh and half built another one.
Face it, Professionals are catching on... Apple your going to lose you crappy Hardware and be forced to Sell your OS universally.
For some of us it is a matter of principle. I enjoy the OSX OS, I have to use FCP for working with the RED digital cinema camera. I refuse to pay for an over priced Gucci Computer case and garbage hardware. I like having the ability to replace any part of my computer at will and not have to donate any body parts in the process. I would run linux on the same system as my main os if there was ample support for editing film and HD. Enough about that, This wasn't intended to be a you should have a real mac to work professionally thread. It was a who is using this on real professional productions. I have no reason to buy something more expensive to get an inferior system. I believe our latest production on the RED, a TV show Pilot that we are shooting 7 more episodes in the winter, is enough proof you don't need a real mac to work with the most demanding workflow in film today. The hackintosh held up to the challenge for 2 months straight of shooting and is ready for next two.